For nearly 30 years, SWIT has been releasing a wide variety of production products. These include monitors, LED lighting solutions, video transmitters, various accessories, and power solutions. The company recently unveiled the SWIT VOLTA Modular Add-On Battery, a compact power system with a 12.8kWh total capacity when eight units are combined. Plus, the SWIT Transformable ARCA SWISS Plate with V-Mount.

SWIT VOLTA PRO Modular Power Station – features

The SWIT VOLTA PRO Modular Power Station is capable of providing reliable and continuous power to a variety of production products. These include lights, cameras, monitors, laptops, and more. With an output surge of 4800W, SWIT says the VOLTA PRO will provide power to cranes such as the Scorpio and Moviebird.

It features four detachable battery packs that can be easily added to the VOLTA PRO. The unit operates fully with only two packs. Capacity is 8890Wh with four 2222.5Wh modules.

The display showcases power stats in real-time: battery health, remaining runtime, and alerts for atypical conditions. It can enter sleep mode automatically if inactive for 24 hours.

Interfaces include three DC 48V outputs (800W each) and dual AC 230V outputs (2400W total), plus an AC 180-264C charging in (7 hours for full charge) and XT60 port for solar charging (supporting 12-60V at 800W, 12 hours to full charge).

The VOLTA PRO can be daisy-chained to provide even more uninterrupted power. This setup is ideal for large-scale productions and those with longer filming schedules requiring reliable power. Additionally, the compact design utilizes Eurobox pallet standards, making it ideal for use in studios and on location. Its footprint is 600mm x 400mm (1.97 ft x 1.31 ft) and weighs 65.5kg (144.4 lbs).

When shooting in the field, weather is always a concern. With NCM (nickel-cobalt-magnesium) lithium cells that are resistant to cold and special low-temperature startup tech, the SWIT VOLTA PRO can work in -20C temperatures (-4F) and up to 50C (122F). Meanwhile, the Power Station’s industrial-grade casing was designed and manufactured to IP54 standards, meaning it will operate in various conditions, including rainy or dusty conditions. 

Features and specifications include:

• 3200W AC/DC output.
• Up to 4800W surge.
• NCM lithium cells (nickel-cobalt-magnesium).
• Outputs: 2x AC 230V (2400W total) and 3x DC 48V (800W each).
• Inputs: AC: 180-264V, 1500W (7 hours to full charge) and Solar XT60 port: 12-60V, 800W (12 hours to full ).
• Accepts four modular battery units (4x 2222.5Wh) for up to 8890Wh capacity.
• It can be expanded via a daisy chain.
• IP54 dust and water resistance.
• Can operate at low temperatures (-20C / 14F).
• A user-friendly interface.
• Compact design, 600mm x 400mm x 296 mm (1.97 ft x 1.31 ft x .97 ft), 65.5kg (144.4 lbs). 

Price and availability 

The SWIT VOLTA PRO will retail for $9,999 and ship during the first quarter of 2025. Learn more on the SWIT website.

What are your thoughts on the SWIT VOLTA PRO as a power solution on set or location? Are you using a similar power solution? Let us know in the comments below.

The Canon EOS R5 Mark II was released in July 2024, and the least we can say is that it has impressive features. Indeed, the camera has a new 45MP full-frame back-illuminated stacked (BSI) dual-pixel CMOS AF sensor, it can shoot video internally in up to 8K at 60P in 12-bit RAW, it has IBIS, Canon Log 2/Log 3 picture profiles, a new cooling grip to prevent overheating, a full-size HDMI port, and much more. We recently added the camera to our CineD camera database if you want to learn more about it.

The Canon EOS R5 Mark II features two memory card slots: one CFexpress Type B for the most demanding video recording modes and one standard SD card slot for stills, proxy, and compressed video. However, Canon recently issued a statement that using some Sandisk SD memory cards could result in corrupted/abnormal files, especially for stills shooting.

Canon EOS R5 Mark II – Sandisk Extreme PRO SD card issues

Let’s start with the official statement issued by Canon USA:

Still images taken with Canon EOS R5 Mk II may be recorded as corrupted/abnormal due to incompatibility of certain Sandisk Extreme PRO SDXC UHS-II 64GB, 128GB and 256GB V60 cards.

For more information, please see the link to SanDisk support: Steps to Resolve Sandisk Extreme PRO® SDXC™ UHS-II V60 64, 128, and 256GB Still Image Problem with a Canon EOS R5 Mark II | SanDisk

To learn about compatible SanDisk Memory Cards for EOS R5 Mark II, please visit the below link. Learn About Compatible Sandisk Memory Cards for the Canon EOS R5 Mark II Camera | SanDisk

This information is only for residents of the United States and its five territories. If you do not reside within these areas, please contact the Canon Customer Support Center in your region.

Service Strategy & Support Group
Canon U.S.A., Inc

When writing this article, only three memory cards were affected by this issue: the Sandisk Extreme PRO SDXC UHS-II V60 64, 128, and 256GB. This particular memory card’s 512GB and 1TB models are unaffected. As a fairly logical move, I strongly advise you to avoid these. Sandisk reports you can contact them “if you have one of the incompatible cards about warranty replacement.” However, the Extreme PRO UHS-II V90 SDHC memory cards are all listed as compatible.

I can never stress it enough, but at the end of the day, all your footage is stored on tiny memory cards. Even though no brand is infallible, buying and investing in memory cards and storage solutions from companies you trust is crucial. Also, with so many different memory card standards, shapes, and ratings, ensuring that the memory card you plan on using or purchasing is officially listed as “compatible” with your camera is crucial nowadays.

Since Sandisk was purchased by Western Digital in October 2015, the company has faced reliability issues, especially with their Extreme Portable SSD V2 drives. The fact that the G-Technology brand was turned into Sandisk Professional doesn’t seem to have stopped these issues, and this new SD card issue surely won’t help.

What do you think about this Sandisk issue with the Canon EOS R5 Mark II? Have you already had issues with Sandisk products? What is your go-to brand when it comes to storage solutions? Don’t hesitate to let us know in the comments down below!

The first Khronos Ecosystem from Tilta was released in April 2024 and was designed for the iPhone 15 Pro and Pro Max. The special case integrates with the device, connects via USB-C, and accepts a variety of different accessories to enhance mobile cinematography, especially when used with cinematography apps like Blackmagic Camera and Final Cut Camera. Tilta took that original design and enhanced it further for the iPhone 16 Pro and Pro Max.

Tilta Khronos Ecosystem for iPhone 16 Pro / Pro Max – features

The new Khronos Ecosystem features a protective case designed specifically for the iPhone 16 Pro and Pro Max. Integrated circuitry powers a variety of accessories. It is 15% lighter than the previous version and is made from 6-series aluminum alloy. Additionally, there are more color options available: Forest Green, Orange, and Black along with Space Gray and Titanium White.

Features include:

• Protective case made from 6-series aluminum alloy, designed specifically for the iPhone 16 Pro and Pro Max. It weighs only 58.5 g (2.06 oz) for the Pro model and 67 g (2.36 oz) for the Pro Max version.
• Five color options, including Space Gray, Titanium White, Black, Forest Green, and Orange.
• Multi-functional backplate features a kickstand, finger strap, and retractable utility knife.
• The modular design allows for a wide range of accessories, including lenses, handles, microphones, lights, and more. They are powered via the case’s integrated circuitry.
• Tool-free installation with the anti-slip quick-release system. Setup and removal times have decreased from the previous version, which required a screwdriver.
• Full control of the iPhone 16 Pro / Pro Max’s camera control functions with the control pass-through.

Additionally, there are also a wide variety of accessories to help with mobile filmmaking, including:

• Quick Release USB-C Hub provides additional USB ports for SSDs and an HDMI port. 
• Multi-functional Magnetic Backplate.
• Cooling Module / System V2, which attaches via a wireless magnetic connection, keeps the unit cool during longer recording times. It also powers the iPhone.
• The Focus PD Handle features control of focus, zoom, and run stop. It also has an integrated battery to power accessories.
• Mini LED Panel, daylight.
• Circular Wooden Handle for easier grip.
• Lens Adapter.
• Quick Release Filter Tray. 
• ND Filters help to control the exposure when filming in bright environments. Attach magnetically. 
• And many more accessories.

Price and availability 

The Tilta Khronos for iPhone 16 Pro and Pro Max is available now and there is a limited-time discount of 10%. There are three different versions:

• The Ultimate Kit: Comes with the Protective Case, Cooling System V2, Focus PD Handle, Mini LED Panel (Daylight), Quick Release USB Hub, Circular Wooden Handle, Universal SSD Holder, Quick Release Filter Tray, and two Magnetic FSND Filters at 0.6 and 1.2. It costs $499.
• The Handheld Kit: It features the Protective Case, Focus PD Handle, Quick Release Filter Tray, and the two Magnetic FSND Filters at 0.6 and 1.2. It retails for $299.
• The Max Case: It only features the Protective Case and is priced at $129.

Learn more about the Tilta Khronos Ecosystem for iPhone 16 Pro and Pro Max here.

What are your thoughts on the Tilta Khronos Ecosystem designed specifically for the iPhone 16 and 16 Pro Max? Are you using an iPhone or similar device for mobile filmmaking and shooting purposes? Let us know in the comments below!

Kinefinity was founded in 2012 and has released a variety of production tools, including cinema cameras like the KineRAW-S35 (their first) and the newest MAVO Edge 6K/8K. Plus, the MAVO mark2 S35/LF cinema camera and MAVO EFP 8K broadcast camera. 

The company also has a range of accessories that include the KineMON monitor, the KineMAG Nano SSD, and the KineEVF viewfinder.

Kinefinity EAGLE HDMI e-Viewfinder – features

The new Kinefinity EAGLE HDMI e-Viewfinder works with many different professional cameras featuring HDMI, including cinema cameras, mirrorless, and DSLR. Most of the features found in the EAGLE SDI e-Viewfinder are also present in the HDMI version: Lightweight and compact design (weighing only 348g or 12.28 oz), real-time and sharp image capture without any delays, accurate focus and exposure adjustments, and silent operation.

But the real star of the show is the EAGLE HDMI e-Viewfinder’s 0.7-inch HD Micro-OLED 1080p display with zero delay. It ensures a clear, sharp, and accurate image thanks to advanced 10-bit color processing and overall quality optical design. It supports 1080i, 1080p, and 1080PsF video signals, along with frame rates ranging from 23.97 to 60 fps.

It is highly responsive and features a fast start-up thanks to an FPGA-based hybrid processing architecture. It also comes with focus and exposure assistance tools such as focus peaking, waveform, false color, histogram, and SDI metadata.

The Kinefinity EAGLE HDMI e-Viewfinder also features a built-in diopter, which can be adjusted from -6D to +2D. This is great for shooters with different vision needs, with accommodations from 600 degrees of myopia to 200 degrees of hyperopia.

Kinefinity added an HDMI Type-A input port and a loop-out port so that it can work with multiple monitors simultaneously. It’s powered by a PD USB-C method with 3W low power consumption. And because there is no internal fan, the e-Viewfinder will operate silently. It has a replaceable Rosette design, 1/4″-20, M6 threads, and a Quick-Lock Mount.

Price and availability

The Kinefinity EAGLE HDMI e-Viewfinder is available now and starts at $1,199. Two other options include the Core Kit ($1,399) and Pro Kit ($1,649), which come with different accessories. And, to celebrate the launch of the EAGLE HDMI e-Viewfinder, they are offering a 10% discount until January 25, 2025. You can learn more and make your purchase on Kinefinity’s website.

What do you think of the HDMI version of the Kinefinity EAGLE e-Viewfinder? Have you worked with their different cameras, including the MAVO Edge 6K/8K cinema cameras? Let us know in the comments below!

SmallRig has been releasing new products that cover a wide variety of production solutions. They introduced two collaborations with popular filmmakers, including Potato Jet (Gene Nagata) on a new tripod, and Brandon Li on a special, multi-use camera cage and case for the iPhone 16 Pro / Pro Max. Additionally, they released a heavy-duty fluid head tripod with a payload of up to 13.2 lbs (6 kg).

SmallRig Rotating Side Handle with Trigger REC – features

If you’re using select Blackmagic Design BMPCC series, Canon EOS, and Sony mirrorless cameras regularly, particularly handheld and without a camera cage, you may want to take a look at the new SmallRig Rotating Side Handle. It’s been ergonomically designed to comfortably and securely fit in your hand and will help reduce fatigue when shooting for extended periods.

One of the main features is the record button at the top, allowing for easy start and stop of recording while filming. The REC function works with select cameras that include Canon EOS and Blackmagic Design BMPCC series. Plus the Sony Alpha 1 / Alpha 7 / Alpha 9 series, and the FX3 and FX30.

It also recharges quickly via USB-C, although certain models, including the Canon EOS and BMPCC cameras, require an NP-F550 / F570 to power.

The full list of features include:

• Ergonomically designed secure grip for smooth filming, reducing hand fatigue with 360° rotation.
• Easily start and stop recording from the SmallRig Rotating Side Handle with the REC button. Includes a control cable for the camera.
• One-click stepless rotation makes it easy to adjust the Side Handle to fit your shooting needs.
• Cold shoe mount, 1/4”-20 thread holes, and a wrist strap slot. You can add a variety of accessories to the Rotating Side Handle.
• Adjustable NATO clamp with a width range of 16mm to 20mm (0.6” to 0.8”).
• USB-C power output supporting PD (power delivery). The charging is fast, so you’ll be able to get back to filming.
• For Canon EOS and Blackmagic Design BMPCC cameras, an NP-F550 / F570 battery is required to use the REC function. Note: The Canon EOS R5C and BMPCC 6K Pro are incompatible with powering.

Price and availability 

The Canon EOS and Blackmagic BMPCC series version of the SmallRig Rotating Side Handle with Trigger REC retails for $134.99 (NP-F550 / F570 batteries sold separately). The version for selected Sony mirrorless cameras costs $129.99. Get more information on the Blackmagic and Canon versions here, and the Sony version here.

Are you using any SmallRig products? What are your thoughts on the new Rotating Side Handle with Trigger REC? Let us know in the comments below!

After a considerable decline in popularity over the last few years, 2024 could be the year of sliders’ return. Indeed, iFootage announced its Shark Slider Nano 2 during IBC 2024, and we recently reviewed the Trexo Converta. As someone who loves to use sliders for corporate and interview shoots, I’m glad manufacturers keep innovating in that area.

After releasing the Micro3 series in July 2022 and the AXIS series in August 2023, ZEAPON is back with the latest iteration of their sliders: the Micro4 series.

ZEAPON Micro4 Series – features

Let’s start with one of the standout features of the Micro4 sliders: its double-distance sliding mechanism. This innovative design allows the slider to offer twice the range of movement compared to its physical length, which can be very handy for filmmakers working in tight or confined spaces.

Six different versions of the Micro4 are available: the M500/M700/M1000, which are manual sliders, and the E500/E700/E1000, which are motorized sliders.

The main differences between the models are their length, travel distance, and weight. However, all slider models have a maximum payload of 12kg/26.4 lbs horizontally and 4.5kg/9.92 lbs in any other orientation. So, what’s new with this new fourth series compared to its predecessor?

What’s new?

The track design didn’t change much, but ZEAPON improved the dampening mechanism for smoother results, which is helpful for the manual versions. Also, they added support wheels at both ends of the sliders to prevent the slider from sagging when you reach the end of the track.

Most of the changes and improvements of these new slider models are located in the motor, which has been completely redesigned from the ground up. Thanks to its new control buttons and touchscreen, the Micro4 doesn’t need a cellphone or app to be operated.

On the motor, you’ll now find a speed adjustment wheel and a normal/high-speed switch button. In terms of speeds, the range goes from 0.18mm/s at 1% speed in normal mode all the way up to 17.8cm/s at 100% in high-speed mode. Furthermore, ZEAPON claims the Micro4 series motor is “ultra quiet” and should not make audible noise in normal-speed mode.

Like its predecessor, the ZEAPON Micro4 can be powered by one Sony NP-F battery. However, you now have the option to power it externally via a power bank plugged into the motor’s USB-C power input. According to ZEAPON, a single small Sony NP-F550 battery can power the slider for up to 5.5 hours at normal speed and close to 3 hours at high speed.

Price and availability

The ZEAPON Micro4 series sliders are available for preorder now, ranging from €428,95 for the M500 to €572,95 for the M1000, while the motorized version starts at €736,95 for the E500 all the way up to €879,95 for the E1000.

For more information, please visit ZEAPON’s website here.

What do you think about these new ZEAPON sliders? Are sliders still part of your shooting kit? Have you ever used ZEAPON sliders? Don’t hesitate to let us know in the comments below!

At the beginning of September 2024, Canon announced the EOS C80. This compact camera features the same 6K BSI Full Frame image sensor as the Canon EOS C400, and it includes numerous Canon EOS C70 user feedback, including a new brighter built-in screen, the addition of a 12G-SDI output port, an improved autofocus system, a new triple base ISO, and so on. My colleague Johnnie did an entire review of the camera that you can watch here. The Canon EOS C80 was even elected as one of CineD’s cameras of the year.

As the camera starts to be delivered to content creators worldwide, more manufacturers are beginning to release their rigging solutions for it. Dutch manufacturer Vocas is joining the party by releasing a cage and top cheese plate for the Canon EOS C80.

Vocas cage for the Canon EOS C80

The Vocas cage for the Canon EOS C80 is a half cage entirely made of aluminum, which won’t add much weight to your camera package since it only weighs 250g/0.55 lbs. This cage attaches to your camera via five screws at the top and bottom, so it won’t twist or come loose. On the cage, you’ll find a plethora of 1/4″-20 Pin Lock and 3/8″-16 Pin Lock mounting points. Also, it has a cold shoe mount on the top’s right side.

At the top of the cage, you’ll find a 1/4″-20 mounting point with Canon’s anti-twist ridges, making it compatible with the stock top handle. Furthermore, the cage doesn’t obstruct the hot shoe at the back of the camera. Even if the Canon EOS C80 now has a built-in electronic level, Vocas included a built-in level at the back of the cage.

Even though the Canon EOS C80 now has a 12G-SDI output, it still has an HDMI output port. This Vocas cage has a right-angle HDMI adapter and clamp, so your camera’s HDMI connector stays safe and secure.

Vocas top cheese plate for the Canon EOS C80

If you want to keep your Canon EOS C80 more minimalistic but still benefit from extra mounting points, Vocas has a top cheese plate available. This plate secures your camera via two screws and gives you three 3/8″-16 Pin Lock and six 1/4″-20 Pin Lock mounting points, a cold shoe, and the same built-in level as the cage.

Price and availability

The Vocas cage for the Canon EOS C80 is available now for $320.27/€285.11, while the top cheese plate is €123.48. Of course, both products are compatible with other Vocas accessories, such as their top handles, baseplates, and RF to PL/LPL lens mount adapters.

For more information, please visit Vocas’ website here.

What do you think about these rigging options for the Canon EOS C80? Did you already receive your EOS C80? What is your go-to third-party accessory manufacturer? Don’t hesitate to let us know in the comments below!

It was a pretty big year for Tilta, which saw the release of products across multiple categories. Tripods, camera cages, matte boxes, batteries, the Tilta Hydra Alien Pro and Mini Stabilizing System, and more. The company has plenty of solutions ready for just about any aspect of production. 

Tilta offers up to 50% off, a 15% discount on most items, and more

A wide variety of products from Tilta are on sale, and the discount depends on the item. The company is offering 15% off most items and 10% off new products, and you can find discounts of up to 50%. This is a great way to add essentials to your overall production kit.

Here is a small sampling of Tilta products that are on sale:

• Hydra Alien Pro Mounting System (Gold Mount): Save up to $999 on Tilta’s new car mount that ensures smooth vehicle shots.
• The Khronos iPhone Kit is ideal for smartphone filmmakers using Apple’s pro versions of their flagship device (including Max). Kits include Ultimate, Advanced, Basic, and Lightweight, with discounts ranging from 32% to 33%. At the time of writing, the iPhone 15 Pro and 15 Pro Max are supported.
• Both the Nucleus Nano II and Nucleus-M Wireless Lens Control Systems are on sale with a discount of 15%. Both are perfect for wirelessly controlling the focus, iris, and zoom of a variety of lenses.
• Tilta Lightweight Shoulder Rig (15% off) provides a durable and lightweight shoulder rig for many cinema cameras, along with others, including the DJI Ronin 4D. It features a MANFROTTO ARCA quick-release base plate, adjustable arms, and Better Balance with a rear 15mm rod mount and NATO rail counterweights. 
• Plus, a variety of tripods, matte boxes, battery base plates, and more. If you have an idea of what you want, search around the sale page. 

Sale ends on the 3rd of January

The sale ends on 3 January 2024, so check out all the offerings on Tilta’s website (Pretty much everything is on sale)

Will you be taking advantage of the Tilta end-of-year sale? What products are you most interested in? Are you currently using any of Tilta’s products? Let us know in the comments below!

ARRI has a wide range of products, from highly acclaimed cinema cameras and lenses to lighting solutions and camera stabilization systems. They have also become a specialist in virtual production. The company recently unveiled the ALEXA 265, a smaller 65mm camera.

ARRI ARTEMIS 2 Live camera stabilizer – features

ARRI has two camera stabilizer systems, the TRINITY 2 and ARTEMIS 2. These systems are modular and versatile for stabilized filming. However, with live production in mind, the ARTEMIS LIVE 2 was designed to be smaller and more lightweight. Sports, concerts, and other live broadcasts and events benefit from smooth filming, and a solution that isn’t heavy and cumbersome makes operating easier for long periods. Considering Taylor Swift’s concerts ran 3 hours and featured a variety of shooting techniques, lighter and more compact is better.

The ARRI ARTEMIS 2 Live is a highly  modular and upgradable camera stabilizer that can be adapted to fit the needs of the shoot and the operator. The post is shorter while the monitor brackets plus base mount and monitor jockeys have been designed specifically for live shoots and events. It accepts 7-inch monitors. Additionally, a second 5-inch ‘on air’ monitor can be added.

The minimalist design and construction of the ARTEMIS 2 Live is ergonomic and lightweight. And it still fits into the ARRI Camera Stabilizer Systems (CSS), which includes the TRINITY 2 and ARTEMIS 2. It also comes in Ready-to-Shoot sets, such as those designed for use with the Tiffen Volt.

Features include:

• Ergonomic and minimalist design.
• Short post for more freedom and legroom during operation.
• Specially designed lightweight monitor brackets, base mount, and monitor jockeys support a 7-inch monitor (SmallHD, Smart Systems, and TRANSVIDEO).
• Additional 5-inch ‘on air’ monitor can be added thanks to a second bracket.
• Can be combined with the Tiffen Volt by adding the ARRI gimbal.
• Adaptable to different power sources, such as V-mount or Gold-mount batteries.
• Number of components and accessories for different production needs.
• TALLY and LBUS allow for hybrid lens control of ENG and cine zoom lenses.
• Compatible with the ARRI CSS (Camera Stabilizer Systems) and upgradeable to a fully featured rig like the ARTEMIS 2 and TRINITY 2 for other types of cine-style production.
• Components can also be swapped to transform the TRINITY 2 and ARTEMIS 2 into more lightweight rigs for live productions.

Price and availability 

The ARRI ARTEMIS 2 Live is available to order now and starts at $18,000. With live sports gaining popularity and growing TV ratings, plus massively successful concerts from Morgan Wallen, Taylor Swift, Metallica, and others, the ARTEMIS 2 Live will have a great place in live production environments. Learn more here.

What do you think of the ARRI ARTEMIS 2 Live? Are you using a camera stabilizer for live productions such as sporting events, concerts or broadcasts? Let us know in the comments below!

First announced in 2021, the Portkeys BM5 III WR camera control monitor was only recently replaced by the fourth-generation version, the BM5 IV WR, which is packed with new hardware features and a fully redesigned operating system called CINENORM OS.

As we have previously reported, unfortunately, owners of the BM5 III WR cannot install the new operating system due to hardware limitations, Portkeys claims. However, the company is still showing them some love with a minor, dedicated firmware update. Let’s take a quick look!

Firmware update for Portkeys BM5 III WR

The latest firmware (official name: PORTKEYS_BM5_V3WR_28_46_C43_B54) adds wireless camera control over Wi-Fi for ARRI Alexa Mini, Canon EOS R5, and EOS R6 Mark II, Panasonic LUMIX BGH1, and BS1H, as well as Nikon mirrorless cameras (however, exact Nikon camera models are not specified).

On top of this, Sony users now get the ability to adjust white balance and color temperature directly from their BM5 III WR monitor. The list of currently supported Sony cameras is pretty extensive, ranging from Sony Alpha to FX Cinema Line bodies.

Full firmware release notes

Moreover, the update brings a long list of fixes and improvements. Following are the full firmware release notes:

1. Fixed the disconnection issue with Nikon Z8
2. Fixed the refresh issue on the camera control page
3. Added ARRI MINI WiFi control
4. Added NIKON WiFi control
5. Added white balance and color temperature control for Sony cameras
6. Fixed the instability of feedback data in Panasonic USB control
7. Resolved control issues with Panasonic S5M2X
8. Fixed slow feedback issue when using the Tilta Motor for AB point operation
9. Removed the function where the record button on the motor control page would start AB point operation simultaneously
10. Added touch focus for Canon R5 (in both photo and video modes)
11. Added Wi-Fi control for Canon EOS R5 and Canon EOS R6 Mark I|
12. Fixed the incorrect display of the aperture value in 1/8 increments on Canon R5
13. Resolved freezing issues during shooting on some SONY cameras
14. Added Wi-Fi control for Panasonic DC-BGH1 and Panasonic DC-BS1H
15. Fixed issue with FPS control list jumping on KOMODO X
16. Added support for KOMODO X recording format 6K 1:1 2X and fix the touch focus issue in this mode
17. Fixed the wired control issue with KOMODO X
18. Fixed occasional disconnection issue with Sony FX-30
19. Fixed recording issue with Canon EOS R6 Mark II
20. Optimized touch focus for Canon EOS R6 / Canon EOS R6 Mark I|
21. Added touch focus for Canon EOS R6 and improved related controls
22. Fixed the issues of camera control
23. Modified image browsing arrangement to sort in descending order by file name
24. Adjusted image browsing gestures: swipe down for the previous page, swipe up for the next page, following smartphone usage habits
25. Added two types of wired control for RED (EXT and CTRL); EXT for KOMODO wired interface, CTRL for DSMC2 series
26. On the RED(CTRL) page, enable parameter control using a scroll wheel, switching via the sub-page’s scroll wheel icon
27. Added a background color to the “X” exit button when the image overlay function is active
    • Operational changes: in the latest version, the image overlay function can only be exited via the exit key or the “X” button, removing the previous swipe-to-exit method. Users can now adjust overlay blending using touch gestures (left/right swipe) or a knob
28. Updated the features image capture and overlay to support USB browsing and saving JPG files
29. Added camera control for Panasonic DC-S5M2
30. Resolved issues where SONY A1 and SONY ILME-FX30 occasionally disconnect during control, and where shutter and exposure compensation cannot be controlled.
31. Fixed the issue where SONY cameras, without a memory card or with incompatible cards (speed too low for recording formats), display incorrect states when pressing the monitor’s record button
32. Improved mode control for Sony cameras
33. Changed the autofocus/touch focus mode for KOMODO to tracking autofocus
34. Fixed the inability to control Panasonic BGH1 menus via touch on the monitor
35. Resolved abnormal behavior of the PEAKING function at 1080l resolution.

Price and availability

The latest firmware update for Portkeys BM5 III WR is now available to download from the company’s website. The update is free of charge.

For more information, please visit Portkeys’ website here.

Are you an owner of the Portkeys BM5 III WR 5-inch on-camera monitor? What do you think of these new features? Are you upset that you cannot install CINENORM OS? Let us know your thoughts in the comment section below!